Loading Exhibition

Christoph Liedtke

Bildzeichenschrift

"My very first impression of Christoph Liedtke’s works for the exhibition “Bildzeichenschrift” is that it feels nearly impossible to focus on one singular element at a time. In order to be thoroughly introduced to the work, it is necessary to immerse oneself completely, and, slowly allowing the layered, complex compositions to come into focus. This statement intends not to be a critique, but rather, an acknowledgment of the artist’s endeavor– this is precisely Liedtke’s objective. Written by Christina Gigliotti
Paintings

Not unlike real life, the works depict chaos and flurries of activity. Washes of color, and thick, flat brush strokes both mimic calligraphic writing as well as illustrate scenes of movement. Even if one is unable to decode the layered configurations, on the surface level, the universally human element of emotion remains. Altogether the works evoke a kind of frenzied, explosive feeling. One can say that this feeling pertains exactly to that of, in a sense, being alive."

PLAY
Bagalaganga
Length: 10:05 min.
PLAY
Abstraktion und Plastizität
Length: 03:00 min.
PLAY
OMO AUGUST III super fertig
Length: 13:57 min.

Bildzeichenschrift

Christoph Liedtke

Paintings

Online Gallery

"My very first impression of Christoph Liedtke’s works for the exhibition “Bildzeichenschrift” is that it feels nearly impossible to focus on one singular element at a time. In order to be thoroughly introduced to the work, it is necessary to immerse oneself completely, and, slowly allowing the layered, complex compositions to come into focus. This statement intends not to be a critique, but rather, an acknowledgment of the artist’s endeavor– this is precisely Liedtke’s objective.

Not unlike real life, the works depict chaos and flurries of activity. Washes of color, and thick, flat brush strokes both mimic calligraphic writing as well as illustrate scenes of movement. Even if one is unable to decode the layered configurations, on the surface level, the universally human element of emotion remains. Altogether the works evoke a kind of frenzied, explosive feeling. One can say that this feeling pertains exactly to that of, in a sense, being alive."

Written by Christina Gigliotti

9575 76x56 cm; Ink, Acrylic on Paper; 2020
Photography by Jakob Adolphi
Photography by Jakob Adolphi
Photography by Jakob Adolphi
9502 76x56 cm; Ink, Acrylic on Paper; 2020
9557 76x56 cm; Ink, Acrylic on Paper; 2020
9563
9566 76x56 cm; Ink, Acrylic on Paper; 2020
9587 76x56 cm; Ink, Acrylic on Paper; 2020
9580 76x56 cm; Ink, Acrylic on Paper; 2020
9583 76x56 cm; Ink, Acrylic on Paper; 2020
9593 76x56 cm; Ink, Acrylic on Paper; 2020
Painting for Plants 79 130x108 cm; Ink, Acrylic on Canvas; 2020
Painting for Plants 80 130x108 cm; Ink, Acrylic on Canvas; 2020
Painting for Plants 81 130x108 cm; Ink, Acrylic on Canvas; 2020
Painting for Plants 82 130x108 cm; Ink, Acrylic on Canvas; 2020
Palimpset 130x108 cm; Ink, Acrylic on Canvas; 2020